جین ایر شارلوت برونته

جین ایر معروف‌ترین اثر شارلوت برونته خواهر امیلی برونته (نویسنده بلندی‌های بادگیر) و آنا برونته (که به خواهران برونته نیز مشهور هستند) می باشد، که در سال ۱۸۴۷ به چاپ رسید. بر اساس این کتاب فیلم های متعددی نیز ساخته شده است.

داستان [ویرایش]

داستان دختری است که در کودکی مادر و پدر خود را از دست می‌دهد و پس از ناملایماتی که از بستگان نزدیک اش می بیند به پرورشگاه سپرده می شود و در محیط خشک و خشن پرورشگاه بزرگ می‌شود. سپس با سمت معلمی به خانه‌ای اشرافی می‌رود، ارباب خانه(آقای روچستر) به تدریج به او علاقه مند می‌شود ولی جین می فهمد که او قبلا ازدواج کرده و همسر او که حالا دیوانه است در طبقه بالا همان خانه زندگی می‌کند، جین که دل شکسته می‌شود از آن خانه می گریزد و کشیشی با خواهرانش او را بیهوش می‌یابند و از او نگه داری می‌کنند و جین کم کم به کشیش علاقه می‌شود ولی شبی (در ذهن خود) صدای روچستر را می شنود، سپس می فهمد که همسر دیوانه روچستر خانه را آتش زده و روچستر درحال نجات دادن او بینایی خویش را از دست داده است. سرانجام جین نزد روچستر می‌رود و با وی ازدواج می‌کند.



Young Jane argues with her guardian Mrs. Reed of Gateshead.
پیوند به بیرون [ویرایش]

در ویکی‌انبار پرونده‌هایی دربارهٔ جین ایر موجود است.
متن کامل کتاب در وب‌گاه گوتنبرگ
رده‌های صفحه: رمان‌های ۱۸۴۷ (میلادی)رمان‌های انگلستانی رمان‌های دوره ویکتوریا

قس عربی
جین أیر (بالإنجلیزیة: Jane Eyre) روایة انجلیزیة للکاتبة تشارلوت برونتی, نشرت بتاریخ 16 اکتوبر 1847 فی العاصمة البریطانیة لندن بقلم اسم مستعار کیور بیل. تتبع الروایة أحداث حیاة جاین آیر منذ طفولتها عند بیت زوحة خالها السیدة رید مروراً بالظروف القاسیة التی عاشتها فی مدرسة لووود وصولاً الى حیاتها فی قصر ثورنفیلد حیث تعمل مدرسة لابنة السید روتشستر الذی تقع فی حبه. تناقش الروایة الظلم الاجتماعی مجسداً فی أحداث حیاة جاین المأساویة، وتحمل قیم أخلاقیة عالیة، وتتوضح لدى جاین حقائق کثیرة عن الدین والنظام الاجتماعی.
[عدل]مقدمة عن الحبکة

تمثل روایة جاین آیر سرد لسیرة جاین الذاتیة على لسانها هی, وتمر الروایة بخمس مراحل: طفولة جاین فی قصر جاستهید, دراستها فی مدرسة لووود, عملها فی قصر ثورنفیلد, تواجدها عند عائلة ریفرز وابن عمها رجل الدین البارد المشاعر جونز ریفرز, واخیراً زواجها من محبوبها السید روتشستر. تضم الروایة 38 فصلاً, تتسطر فی ما یقارب 400 صفحة على الأقل, الإصدار الاول للروایة نشر فی صورة ثلاث مجلدات کما اعتاد الروائیون نشرها فی القرن الثامن عشر. عملها کمربیة خاصة فی ثورنفیلد هول ، حیث تقع فی حب مخدومها ، إدوارد روشستر ، إقامتها لدى عائلة ریفز فی مارشس اند ( أو مور هاوس ) و مرتون ، حیث یتقدم سینت . جون بطلب یدها و أخیراً عودتها و زواجها من محبوبها رویشستر.
تزخر الروایة و التی تعد تقریباً بمثایة سیرة ذاتیة ، بالنقد الاجتماعی . وهی تعد روایة سابقة لعصرها . على الرغم من القتامة ، و عناصر الاطالة ، إلا أنها تحوی إحساساً عالیاً بالصواب و الخطأ ، و الأخلاق فی جوهرها .
تنقسم جین ایر إلى 38 فصلاً و معظم الطبعات لا تقل عن 400 صفحة . نشرت النسخة الأصلیة فی 3 مجلدات ، ضامة الفصول 1 إلى 15 ، 16 إلى 26 و 27 إلى 38 .
أهدت برونتی الطبعة الثانیة من الروایة إلى ویلیام میکبیس ثاکری .
[عدل]الحبکة

تبدأ الحکایة بفتاة تبلغ من العمر 10 سنوات تدعى جاین, تیتمت منذ الصغر وترکت لتعیش مع عائلة خالها السید رید, أوصى السید رید زوجته برعایة جاین کما لو کانت إحدى بناتها, إلاالسیدة رید تعاملها بقسوة وبرودة ولا تشعر نحوها سوى مشاعر الکره, بالنسبة للسیدة رید وأطفالها الثلاثة جاین مجرد خادمة أو بالأحرى أقل من خادمة. سارة و جورجینا وجون رید ووالدتهم السیدة رید یسیئون معاملة جاین عاطفیاً وجسدیاً,فی أحد الایام تسجن جاین فی الغرفة الحمراء التی مات فیها خالها, وتفزع عندما تخیل شبحة یطوف الغرفة الموحشة, تبدأحیاة جاین بالتغیر لدى مغادرتها قصر جایتسهید الى مدرسة لووود.


جاین تجادل السیدة رید
تصل جاین الى مدرسة لووود, بروکلهیرست, القائم على المدرسة, وهو رجل بغیض وبارد المشاعر, کوّنت لدیه السیدة رید فکرة سیئة عن جاین, وحاول نقل هذه الفکرة الى المعلمین فی لووود. فی إحدى المرات, تکسر جاین اللوح الصخری الذی کانت تکتب علیه, فتعاقب بالوقوف على مقعد خشبی أمام زمیلاتها, ویصفها بروکلیهیرست بالکاذبة ویأمر الجمیع بعدم الحدیث معها. هیلین بیرنز هی صدیقة جاین الوحیدة فی لووود, والآنسة تیمبل هی المعلمة الوحیدة التی تهتم لطالبات المدرسة والتی تعاملهن بطیبة وحب, الآنسة تیمبل تساعد جاین فی تبرئة اسمها من أدعاءات بروکلیهیرست. کانت الاوضاع المعیشیة فی مدرسة لوود لا تحتمل, الغرف الباردة, الملابس المهترئة والطعام الذی یقدم فی أغلب الأحیان محترقاً. تفشى وباء التیفوئید فی المدرسة, ومات العدید من طلابها, من ضمنهم هیلین بیرنز, صدیقة جاین الوحیدة. جذبت هذه الحادثة إهتمام المحسنین والمسؤولین فی لووود, مما أدى الى طرد بروکلیهرست وتطویر الظروف المعیشیة هناک. بعد امضائها ست سنوات کتلمیذة فی لووود و سنتین کمعلمة هناک, تقرر جاین الرحیل والعمل کمعلمة خاصة, تتلقى جاین عرض عمل من السیدة فایرفاکس من قصر ثورنفیلد لتدرّس أدیل, وتتوجه جاین الى هناک لتبدأ مرحلة جدیدة فی حیاتها.
بینما کانت جاین تمشی فی طریقها لایداع بعض الرسائل فی البرید فی بلدة مجاورة, تلتقى بفارس على حصانه, ینزلق الحصان على الطریق الجلیدیة ویسقط الرجل الذی کان یرکبه, تساعد جاین الرجل لتکتشف لاحقاً انه السید ادوارد فیرفاکس روتشستر, مالک قصر ثورنفیلد. تُستدعى جاین الى غرفة الطعام لتلتقى بالسید روتشستر , یبدأ السید روتشستر بالاعجاب بجاین خاصّة وأن جدالاتهما المستمرة قد قربتهما من بعض. تسمع جاین أصواتاً غریبة تصدر عن احدى غرف القصر, ولدى خروجها لتفقد الامر تکتشف ان غرفة روتشستر تشتعل فتنقده من الموت. ترسل السیدة رید فی طلب جاین, السیدة رید تحتضر وهی فی حالة میئوسِ منها خاصةً بعد انتحار جون رید, ابنها, فی غرفته فی لندن. تتوجه جاین الى جایتسهید بعد ان تقدم وعداً لروتشستر انها ستعود خلال اسبوع, تستمر اقامة جاین فی جایتسهید أربعة اسابیع, تعترف خلالها السیدة رید انها اخفت عن جاین طلب عمها السید جون ایر تبنیها, وأنها اخبرت السید جون ان ابنة اخیه قد توفیت فی لووود عندما تفشى الوباء, تعود جاین الى ثورنفیلد وتبدأ بالتواصل مع عمها السید جون.
تستمر جاین فی الإعتقاد أنّ روتشستر معجبٌ بالآنسة بلانش انجرم, وفی ظهیرة أحد الأیام یعترف روتشستر بأنّه یحب جاین ولن یختار غیرها زوجةً له. وأثناء مراسم الزفاف یتدخل السید مایسون و محامِ من لندن, لمنع الزفاف بحجة أن روتشستر متزوج أصلاً. یضطر روتشستر للاعتراف بأنه تزوج فتاةِ إسبانیة تدعى بیرثا وهی أخت السید مایسون, ویکتشف روتشستر لاحقاً انها مجنونة لکنه لم یستطع فعل شیء سوى حبسها فی قصره ووضعها تحت رعایة احدى خادماته. ترفض جاین البقاء مع روتشستر لانها بذلک تصبح عشیقة رجل متزوج, وتغادر ثورنفیلد فی منتصف اللیل بلا مال ولا طعام.
[عدل]شخصیات الروایة

جین ایر : بطلة الروایة . تیتمت و هی رضیعة ، فتکافح خلال سنوات نشأتها المحرومة من الحب حتى تصبح مربیة فی ثورنفیلد هول . رغم أنها تقع فی حب مخدومها الثری ، إدوارد روشیستر ، إلا أن ضمیرها الیقظ لا یسمح لها أن تصبح عشیقته ، ولا تعود إلیه إلا بعد أن تتوفى زوجته و تکون هی نفسها قد أصبحت وریثة لثروة کبرى .
السیدة سارة ریید : زوجة خال جین و التی تسیء معاملتها .
السید بروکلهیرست : رجل دین و مسؤول مدرسة لوود ، یتعامل مع الطلاب بمنتهى الحزم و القسوة .
هیلین بیرنز : صدیقة جین المقربة و التی تتعرف إلیها فی مدرسة لوود ، تتوفى بعد إصابتها بالتیفوئید . یتکهن البعض بأن شارلوت استمدت شخصیة هیلین من أختها ماریا .
إدوارد فیرفاکس رویشستر : سید ثورنفیلد هول . تم خداع لیتزوج من بیرثا مایسون قد التقاءه بجین .
آدیل: الطفلة الفرنسیة ، والتی یرعاها السید رویشستر و تعمل جین کمربیة لها .
'السیدة فایرفاکس : مدبرة المنزل تعامل جین بلطف و لکنها لا توافق على خطبتها من السید روشیستر .
'بلانش انجرام : شخصیة بارزة فی المجتمع ، یرافقها السید روشیستر لاثارة غیرة جین . وهی وصفت بأنها بارعة الجمال ، ولکنها تتخذ سلوکاً مخادعاً.
بیرثا مایسون : زوجة رویشستر المجنونة و العنیفة .
ریتشارد مایسون : رجل إنکلیزی یعیش فی جزر الهند الغربیة ، والذی یسبب مجیئه إلى ثورنفیلد افتضاح أمر وجود بیرثا .
غریس بول : الخادمة التی تعنى بأمر بیرثا مایسون.
سانت جون ریفرز : رجل دین یساعد جین ، ویتبین انه ابن عمها ، هو بطبیعته بارد و رزین جداً.
دیانا و ماری ریفرز : أخوات جون و بنات عم جین .
جون ایر : عم جین الذی یترک لها ثروته کلها .

[أخف] ع · ن · تالأخوات برونتی
تشارلوت
القزم الأخضر (1833) · جین أیر (1847) · شیرلی (1849) · فیلیت (1853) · الأستاذ (1857)
إیمیلی
مرتفعات ویذرنغ (1847)
آن
أغنیس غرای (1847) · نزیل قاعة ویلدفیل (1848)
أعمال تعاونیة
قصائد کوریر، ایلیس وبیل أکتون (1846) · قائمة قصائد برونتی
أنظر أیضاً
بلاد برونتی · باتریک برونتی · برانویل برونتی · إلین نیسای · قسطنطین هیغر · الأدب الفیکتوری
تصنیفان: روایات إنجلیزیةروایات 1847

قس آذربایجانی
Ceyn Eyr (ing. Jane Eyre) — Şarlotta Brontenin ilk romanıdır.
[redaktə]Süjet



Ceyn Eyr ilə Cənab Roçesterin ilk görüşü.İlk görüşü zaman Roçester atdan yıxılır
Ceyn Eyr 10 yaşında olan zəif bir uşaqdır.Ceyn Eyrin dayısı ölmüşdür. Evdə yaşayanlardan hamısının ondan xoşları gəlmirdi.Evdə yaşayanlar onu pansion məktəbə göndərməyə qərar verirlər. Ceyn Eyr evi birdəfəlik tərk edərək, məktəbə gedir.O, bir xidmətçi tərəfindən qarşılanır. Ceyn Eyr buranı öz evinə bənzədir.Məktəbdə səksənə yaxın qız vardır. Burada uşaqlarnan çox pis rəftar edirdilər. Lakin xoşbəxtlikdən məktəbin direktoru olan Miller mülayim xanım olduğundan, Ceyn Eyr yaxşı təhsil ala bilir. Məktəbdə oxuyan zaman ətrafda Taun xəstəliyi yayılmağa başlayır. Bir çox insanlar, o cümlədən məktəbin direktoru xəstəlikdən vəfat edir. Ceyn Eyr burada 8 il təhsil alır. Təhsilini bitirdikdən sonra 2 il müəllimlik edir.
Ceyn Eyr 2 il müəllimlik etdikdən sonra Cənab Edvard Roçester ailəsində mürəbbiyə kimi işləməyə başlayır.Zaman keçdikcə Ceyn Eyr Roçesterin bəraətini qazanmağa başlayır. O, Roçesterin qızına dərs deməyə başlayır. Onlar arasında sevgi münasibətləri başlayır.Roçester Ceyn Eyr ilə evlənməyə hazırlaşır. Lakin evlənən zaman bir adam vəkili ilə bərabər peyda olur. Məlum olur ki, həmin adam Roçesterin arvadının qardaşıdır. Roçesterin arvadı ruhi xəstədir. Bu səbəbdən Roçester hamıdan onu gizlətməyə çalışır. Lakin bunu Ceyn Eyr başa düşmək istəmir. O, evi tərk edir. Neçə gün ac-susuz qalır.Axırda bir evə çatır. Həmin evin sahibi Ceyn Eyr haqqında hər şeyi öyrənir.Dayısı ona miras qoymuşdur. Ceyn Eyr bu mirası 4 nəfər arasında bölməyə başlayır.
Həmin adam Ceyn Eyrə evlənmək təklif edir. Lakin bu zaman Ceyn Eyrin qulağına Roççesterin səsi gəlir. Bu səsdən sonra Roçesterin evinə geri dönür.Geri döndükdən sonra ğyrənir ki, Roçesterin arvadı evi yandıran zaman Roçester ağır zədə almışdır. Həmçinin, Roçesterin ruhi xəstə olan arvadı özünü evdən ataraq, öldürmüşdür. Ceyn Eyr onunla birlikdə qalmağa qərar verir. 2 il keçdikdən sonra Roçesterin gözləri açılır.Bundan sonra onlar artıq firavan həyat yaşamağa başlayırlar.

[redaktə]Xarici keçidlər

Romanın teksti
Ceyn Eyr
Ceyn Eyrin bütün filmləri
[göstər]
g • m • r
Şarlotta Brontenin Ceyn Eyr əsəri
Kateqoriya: Əlifba sırasına görə kitablar

قس انگلیسی
Jane Eyre /ˈɛər/ is a novel by English writer Charlotte Brontë. It was published in London, England, in 1847 by Smith, Elder & Co. with the title Jane Eyre. An Autobiography under the pen name "Currer Bell." The first American edition was released the following year by Harper & Brothers of New York. Writing for the Penguin edition, Stevie Davies describes it as an "influential feminist text" because of its in-depth exploration of a strong female character's feelings.
Primarily of the bildungsroman genre, Jane Eyre follows the emotions and experiences of eponymous Jane Eyre, her growth to adulthood, and her love for Mr. Rochester, the byronic[1] master of Thornfield Hall. The novel contains elements of social criticism, with a strong sense of morality at its core, but is nonetheless a novel many consider ahead of its time given the individualistic character of Jane and the novel's exploration of sexuality, religion, and proto-feminism.[2]
Contents [show]
[edit]Plot introduction

Jane Eyre is a first-person narrative of the title character. The novel goes through five distinct stages: Jane's childhood at Gateshead, where she is emotionally and physically abused by her aunt and cousins; her education at Lowood School, where she acquires friends and role models but also suffers privations and oppression; her time as the governess of Thornfield Hall, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family during which her earnest but cold clergyman cousin, St John Rivers, proposes to her; and the finale with her reunion with, and marriage to, her beloved Rochester.
Jane Eyre is divided into 38 chapters and most editions are at least 400 pages long. The original publication was in three volumes, comprising chapters 1 to 15, 16 to 26, and 27 to 38; this was a common publishing format during the 19th century (see three-volume novel).
Brontë dedicated the novel's second edition to William Makepeace Thackeray.
[edit]Plot summary



Young Jane argues with her guardian Mrs. Reed of Gateshead. Illustration by F. H. Townsend.
The novel begins with a ten-year-old orphan named Jane Eyre who is living with her maternal uncle's family, the Reeds, as her uncle's dying wish. Jane's parents died of typhus. Jane’s aunt Sarah Reed does not like her and treats her like a servant. She and her three children are abusive to Jane, physically and emotionally. One day Jane is locked in the red room, where her uncle died, and panics after seeing visions of him. She is finally rescued when she is allowed to attend Lowood School for Girls.
Jane arrives at Lowood Institution, a charity school, the head of which (Brocklehurst) has been told that she is deceitful. During an inspection, Jane accidentally breaks her slate, and Mr. Brocklehurst, the self-righteous clergyman who runs the school, brands her a liar and shames her before the entire assembly. Jane is comforted by her friend, Helen Burns. Miss Temple, a caring teacher, facilitates Jane's self-defense and writes to Mr. Lloyd, whose reply agrees with Jane's. Ultimately, Jane is publicly cleared of Mr. Brocklehurst's accusations.
The eighty pupils at Lowood are subjected to cold rooms, poor meals, and thin clothing. Many students fall ill when a typhus epidemic strikes. Jane's friend Helen dies of consumption in her arms. When Mr. Brocklehurst's neglect and dishonesty are discovered, several benefactors erect a new building and conditions at the school improve dramatically.
After six years as a student and two years as a teacher, Jane decides to leave Lowood, like her friend and confidante Miss Temple. She advertises her services as a governess, and receives one reply. It is from Alice Fairfax, the housekeeper at Thornfield Hall. She takes the position, teaching Adele Varens, a young French girl. While Jane is walking one night to a nearby town, a horseman passes her. The horse slips on ice and throws the rider. She helps him to the horse. Later, back at the mansion she learns that this man is Edward Rochester, master of the house. He teases her, asking whether she bewitched his horse to make him fall. Adele is his ward, left in Mr. Rochester's care when her mother died. Mr. Rochester and Jane enjoy each other's company and spend many hours together.
Odd things start to happen at the house, such as a strange laugh, a mysterious fire in Mr. Rochester's room, on which Jane throws water, and an attack on Rochester's house guest, Mr. Mason. Jane receives word that her aunt was calling for her, after being in much grief because her son has died. She returns to Gateshead and remains there for a month caring for her dying aunt. Mrs. Reed gives Jane a letter from Jane's paternal uncle, Mr John Eyre, asking for her to live with him. Mrs. Reed admits to telling her uncle that Jane had died of fever at Lowood. Soon after, Jane's aunt dies, and she returns to Thornfield. Jane begins to communicate to her uncle John Eyre.


St. John Rivers admits Jane to Moor House.
After returning to Thornfield, Jane broods over Mr. Rochester's impending marriage to Blanche Ingram. But on a midsummer evening, he proclaims his love for Jane and proposes. As she prepares for her wedding, Jane's forebodings arise when a strange, savage-looking woman sneaks into her room one night and rips her wedding veil in two. As with the previous mysterious events, Mr. Rochester attributes the incident to drunkenness on the part of Grace Poole, one of his servants. During the wedding ceremony, Mr. Mason and a lawyer declare that Mr. Rochester cannot marry because he is still married to Mr. Mason’s sister Bertha. Mr. Rochester admits this is true, but explains that his father tricked him into the marriage for her money. Once they were united, he discovered that she was rapidly descending into madness and eventually locked her away in Thornfield, hiring Grace Poole as a nurse to look after her. When Grace gets drunk, his wife escapes, and causes the strange happenings at Thornfield. Mr. Rochester asks Jane to go with him to the south of France, and live as husband and wife, even though they cannot be married. Refusing to go against her principles, and despite her love for him, Jane leaves Thornfield in the middle of the night.
Jane travels through England using the little money she had saved. She accidentally leaves her bundle of possessions on a coach and has to sleep on the moor, trying to trade her scarf and gloves for food. Exhausted, she makes her way to the home of Diana and Mary Rivers, but is turned away by the housekeeper. She faints on the doorstep, preparing for her death. St. John Rivers, Diana and Mary's brother and a clergyman, saves her. After she regains her health, St. John finds her a teaching position at a nearby charity school. Jane becomes good friends with the sisters, but St. John remains reserved.
The sisters leave for governess jobs and St. John becomes closer with Jane. St. John discovers Jane's true identity, and astounds her by showing her a letter stating that her uncle John Eyre has died and left her his entire fortune of £20,000 (equivalent to over £45.5 million in 2009, calculated using the share of GDP).[3] When Jane questions him further, St. John reveals that John is also his and his sisters' uncle. They had once hoped for a share of the inheritance, but have since resigned themselves to nothing. Jane, overjoyed by finding her family, insists on sharing the money equally with her cousins, and Diana and Mary come to Moor House to stay.
Thinking she will make a suitable missionary's wife, St. John asks Jane to marry him and to go with him to India, not out of love, but out of duty. Jane initially accepts going to India, but rejects the marriage proposal, suggesting they travel as brother and sister. As soon as Jane's resolve against marriage to St. John begins to weaken, she mysteriously hears Mr. Rochester's voice calling her name. Jane then returns to Thornfield to find only blackened ruins. She learns that Mr. Rochester's wife set the house on fire and committed suicide by jumping from the roof. In his rescue attempts, Mr. Rochester lost a hand and his eyesight. Jane reunites with him, but he fears that she will be repulsed by his condition. When Jane assures him of her love and tells him that she will never leave him, Mr. Rochester again proposes and they are married. He eventually recovers enough sight to see their first-born son.
[edit]Characters

Jane Eyre: The protagonist of the novel and the title character. Orphaned as a baby, she struggles through her nearly loveless childhood and becomes governess at Thornfield Hall. Jane is passionate and opinionated, and values freedom and independence. She also has a strong conscience and is a determined Christian.
Mr. Reed: Jane's maternal uncle, who adopts Jane when her parents die. According to Mrs. Reed, he pitied Jane and often cared for her more than for his own children. Before his own death, he makes his wife promise to care for Jane.
Mrs. Sarah Reed: Jane's aunt by marriage, who adopts Jane on her husband's wishes, but abuses and neglects her. She eventually disowns her and sends her to Lowood School.
John Reed: Jane's cousin, who as a child bullies Jane constantly, sometimes in his mother's presence. He ruins himself as an adult by drinking and gambling and is thought to have committed suicide.
Eliza Reed: Jane's cousin. Bitter because she is not as attractive as her sister, she devotes herself self-righteously to religion. She leaves for a nunnery near Lisle after her mother's death, determined to estrange herself from her sister.
Georgiana Reed: Jane's cousin. Though spiteful and insolent, she is also beautiful and indulged. Her sister Eliza foils her marriage to the wealthy Lord Edwin Vere, when they were about to elope. She also becomes a friend of Jane's towards the end of the novel and eventually marries a wealthy man.[4]
Bessie Lee: The plain-spoken nursemaid at Gateshead. She often treats Jane kindly, telling her stories and singing her songs. Later she marries Robert Leaven.
Robert Leaven: The coachman at Gateshead, who brings Jane the news of John Reed's death, which brought on Mrs. Reed's stroke.
Mr. Lloyd: A compassionate apothecary who recommends that Jane be sent to school. Later, he writes a letter to Miss Temple confirming Jane's account of her childhood and thereby clearing Jane of Mrs. Reed's charge of lying.
Mr. Brocklehurst: The clergyman headmaster and treasurer of Lowood School, whose maltreatment of the students is eventually exposed. A religious traditionalist, he advocates for his charges the most harsh, plain, and discipline possible lifestyle—but not, hypocritically, for himself and his family. His second daughter Augusta hereby states: "Oh, my dear papa, how quiet and plain all the girls at Lowood look... they look at my dress and mama's, as if they never seen a silk gown before."
Miss Maria Temple: The kind superintendent of Lowood School, who treats the students with respect and compassion. She helps clear Jane of Mr. Brocklehurst's false accusation of deceit, and cares for Helen in her last days.
Miss Scatcherd: A sour and vicious teacher at Lowood.
Helen Burns: Jane's best friend at Lowood School. She refuses to hate those who abuse her, trusting in God and praying for peace one day in heaven. She teaches Jane to trust Christianity, and dies of consumption in Jane's arms. Elizabeth Gaskell, in her biography of the Brontë sisters, wrote that Helen Burns was 'an exact transcript' of Maria Brontë, who died of Consumption at age 11.[5]
Edward Fairfax Rochester: The master of Thornfield Manor. A Byronic hero, he is tricked into making an unfortunate first marriage to Bertha Mason many years before he meets Jane, with whom he falls madly in love.
Bertha Antoinetta Mason: The violently insane first wife of Edward Rochester; moved to Thornfield and locked in the attic.
Adèle Varens: An excitable French child to whom Jane is governess at Thornfield. She has been Mr. Rochester's ward since the death of her mother, Rochester's mistress.
Mrs. Alice Fairfax: An elderly widow and the housekeeper of Thornfield Manor. She cares for both Jane and Mr. Rochester.
Leah: The young, pretty and kind housemaid at Thornfield, with an occasional excitable nature.
Blanche Ingram: A socialite whom Mr. Rochester temporarily courts in order to make Jane jealous. She is described as having great beauty, but displays callous behaviour and avaricious intent.
Richard Mason: An Englishman from the West Indies, whose sister is Mr. Rochester's first wife. He took part in tricking Mr. Rochester into marrying Bertha, earning both of their anger. He still, however, cares for his sister's well-being.
Grace Poole: Bertha Mason's caretaker. Mr. Rochester pays her a very high salary to keep Bertha hidden and quiet, and she is often used as an explanation for odd happenings. She has a weakness for drink that occasionally allows Bertha to escape.
St. John Eyre Rivers: A clergyman who befriends Jane and turns out to be her cousin. He is thoroughly practical and suppresses all his human passions and emotions in favour of piety. He is determined to go to India as a missionary, even if it means losing his love, Rosamond.
Diana and Mary Rivers: St. John's sisters and (as it turns out) Jane's cousins. They are poor, intelligent, and kind-hearted, and want St. John to stay in England.
Rosamond Oliver: A beautiful, wealthy young woman, the patron of the village school where Jane teaches. She falls in love with St. John, only to be rejected because she will not make a good missionary's wife.
Alice Wood: Jane's maid when she is mistress of the girls' charity school in Morton.
John Eyre: Jane's paternal uncle, who leaves her his vast fortune and wishes to adopt her at the age of 13. Mrs. Reed prevents the adoption out of spite towards Jane.
Mr. Oliver: Rosamond Oliver's father. He is a kind and charitable old man and is fond of St. John.
[edit]Themes


This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. (November 2008)
[edit]Morality
Jane refuses to become Mr. Rochester's paramour because of her "impassioned self-respect and moral conviction." She rejects St. John Rivers' Puritanism as much as the libertine aspects of Mr. Rochester's character. Instead, she works out a morality expressed in love, independence, and forgiveness. Jane does not want to be seen as an outcast to society or be a mistress to Rochester.
[edit]God and religion
Throughout the novel, Jane endeavours to attain an equilibrium between moral duty and earthly happiness. She despises the hypocritical puritanism of Mr. Brocklehurst, and sees the deficiencies in St. John Rivers' detached devotion to his Christian duty. As a child she partly admires Helen Burns' turning the other cheek, which helps her to forgive Aunt Reed and the Reed cousins. Although she does not seem to subscribe to any of the standard forms of popular Christianity, she honours traditional morality – in particular in not marrying Rochester until he is widowed. The last sentence of the novel (which is also the next to last line of the New Testament) is a prayer on behalf of St. John Rivers. Religion acts to moderate her behaviour but she never represses her true self.
In her preface to the second edition of Jane Eyre, Brontë made clear her belief that "conventionality is not morality" and "self-righteousness is not religion." She declared that "narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ." Throughout the novel, Brontë presents contrasts between characters who believe in and practice what she considers a true Christianity, and those who pervert religion to further their own ends. Mr. Brocklehurst, who oversees Lowood Institution, is a hypocritical Christian. He professes charity but uses religion as a justification for punishment. For example, he cites the Biblical passage "man shall not live by bread alone" to rebuke Miss Temple for having fed the girls an extra meal to compensate for their inedible breakfast of burnt porridge. He tells Miss Temple that she "may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Helen Burns is a complete contrast to Brocklehurst; she follows the Christian creed of turning the other cheek and loving those who hate her. On her deathbed, Helen tells Jane that she is "going home to God, who loves her."
Jane herself cannot quite profess Helen's absolute, selfless faith. Jane does not seem to follow a particular doctrine, but she is sincerely religious in a non-doctrinaire way. (It is Jane, after all, who places the stone with the word "Resurgam" (Latin for 'I will rise again') on Helen's grave, some fifteen years after her friend's death). Jane frequently prays and calls on God to assist her, particularly in her trouble with Mr. Rochester. She prays too that Mr. Rochester is safe. When the Rivers' housekeeper, Hannah, tries to turn the begging Jane away, Jane tells her that "if you are a Christian, you ought not consider poverty a crime." The young evangelical clergyman St. John Rivers is a more conventionally religious figure. However, Brontë portrays his religious aspect ambiguously. Jane calls him "a very good man," yet she finds him cold and forbidding. In his determination to do good deeds (in the form of missionary work in India), St. John courts martyrdom. Moreover, he is unable to see Jane as a whole person, but views her only as a helpmate in his proposed missionary work. Mr. Rochester is far less a perfect Christian. He is, indeed, a sinner: he attempts to enter into a bigamous marriage with Jane and, when that fails, tries to persuade her to become his mistress. He also confesses that he has had three previous mistresses. In the end, however, he repents of his sinfulness, thanks God for returning Jane to him, and begs God to give him the strength to lead a purer life.
[edit]Social class
Jane's ambiguous social position — a penniless yet moderately educated orphan from a good family — leads her to criticize discrimination based on class. Although she is educated, well-mannered, and relatively sophisticated, she is still a governess, a paid servant of low social standing, and therefore powerless. Nevertheless, Jane possesses certain class prejudices herself, as is made clear when she has to remind herself that her unsophisticated village pupils at Morton "are of flesh and blood as good as the scions of gentlest genealogy."
[edit]Gender relations
A particularly important theme in the novel is the depiction of a patriarchal society. Jane attempts to assert her own identity within male-dominated society. Three of the main male characters, Mr. Brocklehurst, Mr. Rochester and St. John Rivers, try to keep Jane in a subordinate position and prevent her from expressing her own thoughts and feelings. Jane escapes Mr. Brocklehurst and rejects St. John, and she only marries Mr. Rochester once she is sure that their marriage is one between equals. Through Jane, Brontë opposes Victorian stereotypes about women, articulating her own feminist philosophy:
Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex. (Chapter XII)
[edit]Love and passion
A central theme in Jane Eyre is that of the clash between conscience and passion — which one is to adhere to, and how to find a middle ground between the two. Jane, extremely passionate yet also dedicated to a close personal relationship with God, struggles between either extreme for much of the novel. An instance of her leaning towards conscience over passion can be seen after it has been revealed that Mr. Rochester already has a wife, when Jane is begged to run away with Mr. Rochester and become his mistress. Up until that moment, Jane had been riding on a wave of emotion, forgetting all thoughts of reason and logic, replacing God with Mr. Rochester in her eyes, and allowing herself to be swept away in the moment. However, once the harsh reality of the situation sets in, Jane does everything in her power to refuse Mr. Rochester, despite almost every part of her rejecting the idea and urging her to just give into Mr. Rochester's appeal. In the moment Jane experiences an epiphany in regards to conscience, realizing that “laws and principles are not for times when there is no temptation: they are for such moments as this.” Jane finally comes to understand that all passion, as she had been living her life up until then, and all conscience, as she had leaned towards during her time at Lowood, is neither good nor preferable. In this case, Jane had allowed herself to lean too far in the direction of passion, and she is in danger of giving up all logic and reason in favour of temptation. However, Jane finally asserts that in times of true moral trial, such as the one she is in with Mr. Rochester at the moment, to forgo one's principles, to violate the “law given by God,” would be too easy - and not something she is willing to do. Jane's struggles to find a middle ground between her passionate and conscience-driven sides frequently go back and forth throughout the novel, but in this case she has drawn the line as to where passion is taking too great a role in her life, and where she will not allow herself to forgo her moral and religious principles.
[edit]Feminism
This section does not cite any references or sources. (June 2012)
The role and standing of women in the Victorian era is constantly debated by Brontë throughout Jane Eyre, specifically in regard to Jane's independence and ability to make decisions for herself. As a young woman, small and of relatively low social standing, Jane encounters men during her journey, of good, bad, and morally debatable character. However, virtually all of them, no matter their ultimate intentions, attempt to establish some form of power and control over Jane. One example can be seen in Mr. Rochester, a man who ardently loves Jane, but who without so much as an afterthought constantly commands and orders Jane about. As a self-assured and established man, Mr. Rochester naturally assumes the position of the master in their relationship. He tends to demand rather than question Jane, manipulate and assess her feelings towards him however he wishes, and enjoy propping up Jane through excessive gifts and luxuries that only he would have been able to provide. Jane, however, believes in the importance of women's independence, and strives to maintain a position in life devoid of any debts to others. Her initial lack of money and social status unnerves her, as she realizes that without the means to be an independent woman, she is bound to either struggle through life trying to make a living or marry and become dependent on a man. Even after Jane agrees to marry Mr. Rochester, and is swept up in the passion of the moment, the feminist elements of her personality still show through. She is uncomfortable with the showering of lavish gifts, as she resents that they will make her further reliant on and in debt to Mr. Rochester, and thus tries to resist them. Furthermore, Jane asserts that even after she is married to Mr. Rochester, she will continue to be Adéle's governess and earn her keep. This plan, which was entirely radical and unheard of for the time, further illustrates Jane's drive to remain an independent woman, with no true obligation or economic reliance on a man, even if he were her husband. While the significant men present in Jane's life throughout the novel all try to, in some form or another, establish themselves as dominant over Jane, she in most cases remains resistant at least to a certain degree, refusing to fully submit or lose all of her independence. This final adherence to her strong convictions on the independence of women point out Brontë's similar views on the patriarchal Victorian society of the time.
[edit]Atonement and forgiveness
Much of the religious concern in Jane Eyre has to do with atonement and forgiveness. Mr. Rochester is tormented by his awareness of his past sins and misdeeds. He frequently confesses that he has led a life of vice, and many of his actions in the course of the novel are less than commendable. Readers may accuse him of behaving sadistically in deceiving Jane about the nature of his relationship (or rather, non-relationship) with Blanche Ingram in order to provoke Jane's jealousy. His confinement of Bertha may bespeak mixed motives. He is certainly aware that in the eyes of both religious and civil authorities, his marriage to Jane before Bertha's death would be bigamous. Yet, at the same time, Mr. Rochester makes genuine efforts to atone for his behaviour. For example, although he does not believe that he is Adele's natural father, he adopts her as his ward and sees that she is well cared for. This adoption may well be an act of atonement for the sins he has committed. He expresses his self-disgust at having tried to console himself by having three different mistresses during his travels in Europe and begs Jane to forgive him for these past transgressions. However, Mr. Rochester can only atone completely — and be forgiven completely — after Jane has refused to be his mistress and left him. The destruction of Thornfield by fire finally removes the stain of his past sins; the loss of his left hand and of his eyesight is the price he must pay to atone completely for his sins. Only after this purgation can he be redeemed by Jane's love.
[edit]Search for home and family
Without any living family that she is aware of (until well into the story), throughout the course of the novel Jane searches for a place that she can call home. Significantly, houses play a prominent part in the story. (In keeping with a long English tradition, all the houses in the book have names). The novel's opening finds Jane living at Gateshead Hall, but this is hardly a home. Mrs. Reed and her children refuse to acknowledge her as a relation, treating her instead as an unwanted intruder and an inferior.
Shunted off to Lowood Institution, a boarding school for orphans and destitute children, Jane finds a home of sorts, although her place here is ambiguous and temporary. The school's manager, Mr. Brocklehurst, treats it more as a business than as school in loco parentis (in place of the parent). His emphasis on discipline and on spartan conditions at the expense of the girls' health make it the antithesis of the ideal home.
Jane subsequently believes she has found a home at Thornfield Hall. Anticipating the worst when she arrives, she is relieved when she is made to feel welcome by Mrs. Fairfax. She feels genuine affection for Adèle (who in a way is also an orphan) and is happy to serve as her governess. As her love for Mr. Rochester grows, she believes that she has found her ideal husband in spite of his eccentric manner and that they will make a home together at Thornfield. The revelation — as they are on the verge of marriage — that he is already legally married — brings her dream of home crashing down. Fleeing Thornfield, she literally becomes homeless and is reduced to begging for food and shelter. The opportunity of having a home presents itself when she enters Moor House, where the Rivers sisters and their brother, the Reverend St. John Rivers, are mourning the death of their father. She soon speaks of Diana and Mary Rivers as her own sisters, and is overjoyed when she learns that they are indeed her cousins. She tells St. John Rivers that learning that she has living relations is far more important than inheriting twenty thousand pounds. (She mourns the uncle she never knew. Earlier she was disheartened on learning that Mrs. Reed told her uncle that Jane had died and sent him away.) However, St. John Rivers' offer of marriage cannot sever her emotional attachment to Rochester. In an almost visionary episode, she hears Mr. Rochester's voice calling her to return to him. The last chapter begins with the famous simple declarative sentence, "Reader, I married him," and after a long series of travails Jane's search for home and family ends in a union with her ideal mate.
[edit]Context



The Salutation pub in Hulme, Manchester. This is where Charlotte Brontë began to write Jane Eyre; the pub was a lodge in the 1840s.[6][7]
The early sequences, in which Jane is sent to Lowood, a harsh boarding school, are derived from the author's own experiences. Helen Burns's death from tuberculosis (referred to as consumption) recalls the deaths of Charlotte Brontë's sisters Elizabeth and Maria, who died of the disease in childhood as a result of the conditions at their school, the Clergy Daughters School at Cowan Bridge, near Tunstall, Lancashire. Mr. Brocklehurst is based on Rev. William Carus Wilson (1791–1859), the Evangelical minister who ran the school, and Helen Burns is probably modelled on Charlotte's sister Maria. Additionally, John Reed's decline into alcoholism and dissolution recalls the life of Charlotte's brother Branwell, who became an opium and alcohol addict in the years preceding his death. Finally, like Jane, Charlotte becomes a governess. These facts were revealed to the public in The Life of Charlotte Brontë (1857) by Charlotte's friend and fellow novelist Elizabeth Gaskell.[8]
The Gothic manor of Thornfield was probably inspired by North Lees Hall, near Hathersage in the Peak District. This was visited by Charlotte Brontë and her friend Ellen Nussey in the summer of 1845 and is described by the latter in a letter dated 22 July 1845. It was the residence of the Eyre family, and its first owner, Agnes Ashurst, was reputedly confined as a lunatic in a padded second floor room.[8]
A publication put out by the Lancashire Countryside Service Environmental Directorale and the Lancashire County Council states that many believe Wycoller Hall in Lancashire provided the setting for Ferndean Manor to which Mr Rochester retreats after the fire at Thornfield.[9] Parallels have also been drawn[weasel words] between the owner of Ferndean, Mr Rochester's father, and Henry Cunliffe who inherited Wycoller in the 1770s and lived there until his death in 1818. Also of note is that one of Henry Cunliffe's relatives was named Elizabeth Eyre (née Cunliffe). Since Haworth is only a short distance across the moors from Wycoller and Elizabeth Eyre would have lived there at the time, it seems likely that she and the Brontes would have met. Wycoller Hall was even used to illustrate the cover of the 1898 edition of Jane Eyre.[9] The sequence in which Mr Rochester's wife sets fire to the bed curtains was prepared in an August 1830 homemade publication of Brontë's, The Young Men's Magazine, Number 2.[10]
[edit]Literary motifs and allusions

Jane Eyre uses many motifs from Gothic fiction, such as the Gothic manor (Thornfield), the Byronic hero (Mr. Rochester) and The Madwoman in the Attic (Bertha), whom Jane perceives as resembling "the foul German spectre—the Vampyre" (Chapter XXV) and who attacks her own brother in a distinctly vampiric way: "She sucked the blood: she said she'd drain my heart" (Chapter XX). The mystery of Thornfield manor with its dark secrets creates a typically Gothic atmosphere of suspense. When resolved, we then get the theme of madness, also common in Gothic fiction, as is the motif of two characters, John Reed and Bertha Mason, who commit suicide. Although the novel contains no overt supernatural occurrences, hints of apparently supernatural happenings are frequently mentioned such as Jane's prophetic dreams, her sense of the ghost of her uncle, the lightning striking the chestnut tree on the night she agrees to marry Mr. Rochester, and Jane and Mr. Rochester being able to hear each other's call over miles of separation when St John forces Jane into a decision to marry him.
Jane Eyre also combines Gothicism with romanticism to create a distinctive Victorian novel. Jane and Rochester are attracted to each other, but there are impediments to their love. The conflicting personalities of the two lead characters and the norms of society are an obstacle to their love, as often occurs in romance novels, but so also is Rochester's secret marriage to Bertha, the main Gothic element of the story.
Literary allusions from the Bible, fairy tales, The Pilgrim's Progress, Paradise Lost, and the novels and poetry of Sir Walter Scott are also much in evidence.[8] John Reed is compared to Caligula. Jane is compared to Guy Fawkes. Both Biblical figures like Samson and figures from Greek myths such as Apollo are referred to at various times.
[edit]Adaptations



Mr. Reed torments young Jane Eyre in Suffolk Youth Theatre's 2008 production of Jane Eyre.
There have been numerous adaptations and related works inspired by Jane Eyre .
A 2009 Washington Post article (reviewing a novel about Charlotte Brontë's writing of this novel) credited Orson Welles, Timothy Dalton, and William Hurt as having the most memorable performances of Mr. Rochester.[11] This refers to the two best-known of the three English-language theatrical films and the 1983 television mini-series which is the longest adaptation at 5 and 1/2 hours.
Television adaptations easily available on home video include the 1970 version with George C. Scott (released as a movie in Europe), the 1973 and 1983 BBC mini-series, and recent adaptations with Samantha Morton (1997) the four-hour 2006 BBC mini-series, and the 2012 HBO production.
[edit]Motion picture versions (1910–1926)
Several silent film adaptations entitled Jane Eyre were released; one in 1910, two in 1914, plus:
1915: Jane Eyre starring Louise Vale.[12]
1915: A version was released called The Castle of Thornfield.
1918: A version was released called Woman and Wife, directed by Edward José, adapted by Paul West, starring Alice Brady as Jane.
1921: Jane Eyre starring Mabel Ballin and directed by Hugo Ballin.[12]
1926: A youth version was made in Germany called Orphan of Lowood.
[edit]Motion picture versions (1934–2011)
1934: Jane Eyre, starring Colin Clive and Virginia Bruce.[13]
1943: I Walked with a Zombie is a horror movie loosely based upon Jane Eyre.
1943: Jane Eyre, with a screenplay by John Houseman and Aldous Huxley. It features Orson Welles as Mr. Rochester, Joan Fontaine as Jane, Agnes Moorehead as Mrs. Reed, Margaret O'Brien as Adele and Elizabeth Taylor as Helen Burns.
Joan Fontaine had earlier starred in Rebecca, directed by Alfred Hitchcock and based upon the novel of the same name which was influenced by Jane Eyre.[14]
1952: Sangdil, a Hindi version, also known as Jane Eyre starring Madhubala.
1956: A version was made in Hong Kong called The Orphan Girl.
1963: A version was released in Mexico called El Secreto (English: "The Secret")
1970: Jane Eyre, starring George C. Scott as Mr. Rochester and Susannah York as Jane. (Released in theatres in Europe but television in the United States. Also listed below.)
1972: An Indian adaptation in Telugu, Shanti Nilayam, was directed by C. Vaikuntarama Sastry, starring Anjali Devi.
1978: A version was released in Mexico called El Ardiente Secreto (English: "Ardent Secret").
1996: Jane Eyre, directed by Franco Zeffirelli and starring William Hurt as Mr. Rochester, Charlotte Gainsbourg as Jane, Elle Macpherson as Blanche Ingram, Joan Plowright as Mrs. Fairfax, Anna Paquin as the young Jane, Fiona Shaw as Mrs. Reed and Geraldine Chaplin as Miss Scatcherd.
2011: Jane Eyre, directed by Cary Fukunaga, starring Mia Wasikowska as Jane Eyre and Michael Fassbender as Rochester.
[edit]Musical versions
A two-act ballet of Jane Eyre was created for the first time by the London Children's Ballet in 1994, with an original score by composer Julia Gomelskaya and choreography by Polyanna Buckingham. The run was a sell-out success.
A musical version with music by Michael Malthaner, lyrics by Charles Corritore, and book by David Matthews, was written and produced in 1998, originally premièring at the Erie Playhouse in Erie, Pennsylvania.
A musical version with a book by John Caird and music and lyrics by Paul Gordon, with Marla Schaffel as Jane and James Stacy Barbour as Mr. Rochester, opened at the Brooks Atkinson Theatre on 10 December 2000. It closed on 10 June 2001.
Jane Eyre, opera in three acts, Op. 134 was composed by John Joubert in 1987–1997 to a libretto by Kenneth Birkin after the novel.
An opera based on the novel was written in 2000 by English composer Michael Berkeley, with a libretto by David Malouf. It was given its première by Music Theatre Wales at the Cheltenham Festival.
Jane Eyre was played for the first time in Europe in Beveren, Belgium. It was given its première at the cultural centre.
The ballet Jane, based on the book, was created in 2007, a Bullard/Tye production with music by Max Reger. Its world première was scheduled at the Civic Auditorium, Kalamazoo, Michigan, June 29 and 30, performed by the Kalamazoo Ballet Company, Therese Bullard, Director.
A musical production directed by Debby Race, book by Jana Smith and Wayne R. Scott, with a musical score by Jana Smith and Brad Roseborough, premièred in 2008 at the Lifehouse Theatre in Redlands, California[15]
A symphony (7th) by Michel Bosc premiered in Bandol (France), 11 October 2009.
[edit]Radio show versions
1943: Extremely loose adaptation (primarily chapters 11–26) on The Weird Circle, premièring on 11 November.
1948: Radio adaptation of Jane Eyre June 14, 1948 on Lux Radio Theatre; 42 minutes, with Ingrid Bergman and Robert Montgomery
2009: A Radio production of Jane Eyre was aired on the British radio in August, 2009
[edit]Television versions
1952: This was a live television production presented by "Westinghouse Studio One (Summer Theatre)".[16]
Adaptations appeared on British and American television in 1956 and 1961.
1956: Jane Eyre. It was produced by the BBC starring Stanley Baker as Rochester.
1963: Jane Eyre. It was produced by the BBC and starred Richard Leech as Mr. Rochester and Ann Bell as Jane.[17]
1970: Jane Eyre, starring George C. Scott as Mr. Rochester and Susannah York as Jane. (Released in theatres in Europe but television in the United States. Also listed above.)
1972: Jana Eyrová. It was produced by Czechoslovak television and starred Marta Vančurová as Jane, Jan Kačer as Mr. Rochester.[18]
1973: Jane Eyre. It was produced by the BBC and starred Sorcha Cusack as Jane, Michael Jayston as Mr. Rochester, Juliet Waley as the child Jane, and Tina Heath as Helen Burns.
1978: Telenovela El Ardiente Secreto (English The impassioned secret) was an adaptation of this novel.
1982: BBC Classics Presents: Jane Eyrehead. A parody movie by SCTV starred Andrea Martin as Jane Eyrehead, Joe Flaherty as Mr. Rochester, also starting John Candy, Eugene Levy, and Martin Short in supporting roles.[19]
1983: Jane Eyre. It was produced by the BBC and starred Zelah Clarke as Jane, Timothy Dalton as Mr. Rochester, Sian Pattenden as the child Jane, and Colette Barker as Helen Burns.
1997: Jane Eyre. It was produced by the A&E Network and starred Ciarán Hinds as Mr. Rochester and Samantha Morton as Jane.
2006: Jane Eyre. It was produced by the BBC and starred Toby Stephens as Mr. Rochester, Ruth Wilson as Jane, and Georgie Henley as Young Jane.
[edit]Graphic novel
2003: Jane Eyre. The Graphic Novel. Script Adaptation: Amy Corzine; Artwork: John M. Burns; Lettering: Terry Wiley; Classical Comics Ltd.
[edit]Literature inspired by the novel
Sequels
1997: Mrs. Rochester: A Sequel to Jane Eyre by Hilary Bailey
The novelist Angela Carter was working on a sequel to Jane Eyre at the time of her death in 1992. This was to have been the story of Jane's stepdaughter Adèle Varens and her mother Céline. Only a synopsis survives.[20]
2000: Jane Rochester by Kimberly A. Bennett, content explores the first years of the Rochesters' marriage with gothic and explicit content.
2008: Jane Eyre's Daughter by Elizabeth Newark. A fully grown daughter of Jane Eyre must choose between two men.
Re-workings
1938: Rebecca by Daphne du Maurier was partially inspired by Jane Eyre.[14][21]
1958: Nine Coaches Waiting by Mary Stewart makes implicit and explicit reference to Jane Eyre. The novel is a gothic romance set in a remote French château in the 1950s. The heroine, Linda, is, like Jane, an orphan who takes on the role of governess, this time to a young boy. She compares her situation to that of Jane Eyre on several occasions. Motifs from Eyre also appear in Stewart's The Ivy Tree (1961) but without explicit references to the novel.
2002: Jenna Starborn by Sharon Shinn, a science-fiction novel based upon Jane Eyre.
2010: Jane Slayre by Sherri Browning Erwin. Part of the popular series begun by Pride and Prejudice and Zombies, this has Jane Eyre battling vampires while also working through the events of the original story.
2010 Sloane Hall by Libby Sternberg, a retelling set in 1929 Hollywood as films shifted from silent to sound.
2010: Jane by April Lindner. Set in the 20th century with Mr. Rochester as Nico Rathburn, a world-famous rockstar.
2010: "Chocolate Roses" by Joan Sowards. modern LDS novel.
2012: "The Flight of Gemma Hardy" by Margot Livesey.
Re-tellings
2007: Thornfield Hall: Jane Eyre's Hidden Story by Emma Tennant. This is another version of Jane Eyre.
2010: I am Jane Eyre by Teana Rowland. This is a version of Jane Eyre which delves in to some of the unexplained aspects of the novel.
Prequels
1966: Wide Sargasso Sea by Jean Rhys. The character Bertha Mason serves as the main protagonist for this novel which acts as a prequel to Jane Eyre. It describes the meeting and marriage of Antoinette Cosway (later renamed Bertha by Mr. Rochester) and Mr. Rochester. In its reshaping of events related to Jane Eyre, the novel suggests that Bertha's madness is not congenital, but rather the result of terrible childhood experiences and Mr. Rochester's unloving treatment of her. Wide Sargasso Sea has been adapted into film twice.
Spin-offs
2001: The novel The Eyre Affair by Jasper Fforde revolves around the plot of Jane Eyre. It portrays the book as originally largely free of literary contrivance: Jane and Mr. Rochester's first meeting is a simple conversation without the dramatic horse accident, and Jane does not hear his voice calling for her and ends up starting a new life in India. The protagonist's efforts mostly accidentally change it to the real version.
2009: Becoming Jane Eyre by Sheila Kohler. A novel about Charlotte Brontë writing the story.
2009: Jane Airhead by Kay Woodward. A novel about a present-day teenage girl obsessed with Jane Eyre.
Re-tellings from Another Character's Point of View
2000: Adele: Jane Eyre's Hidden Story by Emma Tennant
2006: The French Dancer's Bastard: The Story of Adele From Jane Eyre by Emma Tennant. This is a slightly modified version of Tennant's 2000 novel.
2009: Adele, Grace, and Celine: The Other Women of Jane Eyre by Claire Moise. This both retells the story from the point of view of three other women and explains their fate after the main events of the story.
2010: Rochester: A Novel Inspired by Jane Eyre by J.L. Niemann. Jane Eyre told from the first person-perspective of Edward Rochester.
2011: Jane Eyre's Rival: The Real Mrs Rochester by Clair Holland. Told from the perspective of Bertha Antoinetta Mason, Mr Rochester's first wife, by Lisa Mason, Antoinetta's modern day descendant.
2011: Jane Eyre's Husband - The Life of Edward Rochester by Tara Bradley. Rochester's entire life.
[edit]References in culture
The 2010 Australian film Jucy centers around the production of a theatre adaptation of Jane Eyre.
[edit]References

^ Harold Bloom declared Eyre a "classic of Gothic and Victorian literature." Bloom, Harold (July 2007). "Charlotte Bronte’s "Jane Eyre"". Midwest Book Review (Chelsea House Publishers): 245.
^ A classic feminist discussion of Jane Eyre is the book The Madwoman in the Attic by Sandra Gilbert and Susan Gubar (Yale University Press, 1979) See also Martin, Robert B. Charlotte Brontë's Novels: The Accents of Persuasion. NY: Norton, 1966
^ "Five Ways to Compute the Relative Value of a UK Pound Amount, 1830 to Present". MeasuringWorth. Retrieved 14 August 2011.
^ Brontë, Charlotte. 1847. Jane Eyre. London. Smith, Elder & Co.
^ Gaskell, Elizabeth (1857). The Life of Charlotte Brontë. 1. Smith, Elder & Co.. p. 73.
^ "Jane Eyre: a Mancunian?". BBC. 10 October 2006.
^ "Salutation pub in Hulme thrown a lifeline as historic building is bought by MMU". Manchester Evening News. 2 September 2011. Retrieved 2011-09-06.
^ a b c Stevie Davies, Introduction and Notes to Jane Eyre. Penguin Classics ed., 2006.
^ a b "Wycoller Sheet 3: Ferndean Manor and the Brontë Connection" (pdf). Lancashire Countryside Service Environmental Directorale. 2012. Retrieved 2012-03-24.
^ "Paris museum wins Bronte bidding war". BBC News. 15 December 2011. Retrieved 16 December 2011.
^ "'Becoming Jane Eyre' by Sheila Kohler reviewed by Ron Charles". The Washington Post. 2009-12-23.
^ a b "Jane Eyre | Movie Synopsis Available, Read the Plot of the Film Online". VH1.com. Retrieved 2010-03-30.
^ "Jane Eyre Movie Reviews, Trailers". Rotten Tomatoes. Retrieved 2010-03-30.
^ a b Yardley, Jonathan (2004-03-16). "Du Maurier's 'Rebecca,' A Worthy 'Eyre' Apparent". washingtonpost.com. Retrieved 2010-03-30.
^ Lifehouse Theatre presents Jane Eyre - accessed May 10, 2008
^ "Westinghouse Studio One Summer Theatre - "Jane Eyre" Movie Reviews, Pictures". Rotten Tomatoes. Retrieved 2010-03-30.
^ "Drama - Jane Eyre - The History of Jane Eyre On-Screen". BBC. Retrieved 2010-03-30.
^ "Jana Eyrová - Česká televize". Česká televize. Retrieved 2011-07-31.
^ "SCTV Guide - Episodes - Series 5 Cycle 4". Sctvguide.ca. Retrieved 2010-03-30.
^ Susannah Clapp (2006-01-29). "Theatre: Nights at the Circus | Stage | The Observer". London: Guardian. Retrieved 2010-03-30.
^ Findarticles.com
[edit]External links

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Categories: 1847 novelsBritish bildungsromansBritish novels adapted into filmsGothic novelsNovels about orphansNovels by Charlotte BrontëVictorian novelsWorks published under a pseudonymJane Eyre

قس فرانسه
Jane Eyre est un roman de Charlotte Brontë, publié le 16 octobre 1847 en Angleterre. Il a depuis été adapté plusieurs fois pour le cinéma. L'histoire est présentée comme l'autobiographie de l'héroïne.
Sommaire [afficher]
Contexte historique[modifier]

Jane Eyre est le premier roman publié de Charlotte Brontë, dont le livre précédent, The Professor, avait été refusé par sept éditeurs. Charlotte Brontë amorce la rédaction de Jane Eyre en août 1846 et l'achève un an plus tard. Le livre est accepté par la maison d’édition Smith, Elder and Co. et publié en octobre 1847 sous le pseudonyme de Currer Bell.
Le succès est immédiat au point de précipiter la parution déjà prévue des romans Les Hauts de Hurlevent et Agnès Grey des sœurs de Charlotte, Emily (alias Ellis Bell) et Anne (alias Acton Bell). En décembre 1847, Jane Eyre fait l'objet d'une seconde édition que Charlotte dédie à William Makepeace Thackeray.
La première traduction française, par Noëmie Lesbazeilles-Souvestre, est publiée en 1854 sous le titre Jane Eyre ou les Mémoires d’une institutrice.
Histoire et personnages[modifier]

Première partie[modifier]


Jane Eyre, disant son fait à « sa tante », Mrs Reed, avant que celle-ci ne l'envoie dans le dur pensionnat de Lowood (seconde édition de Jane Eyre, en 1847).
Jane, orpheline, est d'abord recueillie par sa tante, Mrs Reed, tenue par une promesse faite à son mari avant sa mort. Jane Eyre est toutefois élevée comme étant inférieure à ses cousins qui n'hésitent pas à la maltraiter, surtout son cousin John. À la suite d'une forte rébellion contre sa tante, précédée par une punition démesurée qui la fait tomber en syncope, Jane Eyre, dix ans, est envoyée en internat à Lowood. Elle s’y fait une amie sincère, Helen Burns, qui décède de la tuberculose qu’elle doit aux très mauvaises conditions de l’internat (ce passage est fortement inspiré de l'expérience de l'auteur. Les deux sœurs ainées de Charlotte Brontë, Maria et Elizabeth, sont en effet mortes en bas âge suite aux mauvaises conditions de vie prévalant dans leur école de Cowan Bridge).
Après l'épidémie, les conditions de vie de l'internat changent et celui-ci devient un établissement de qualité. Après huit années passées à Lowood - six en tant qu'étudiante et deux en tant que professeur - Jane veut changer de vie et passe une annonce dans un journal pour trouver un poste de préceptrice. Mme Fairfax lui répond afin qu'elle vienne faire l'éducation d'Adèle, la protégée de Mr. Rochester, 40 ans, riche propriétaire de Thornfield-Hall.
Deuxième partie[modifier]
Au fil des mois, la jeune gouvernante apprend à connaître son « maître », et l’admiration qu’elle a pour lui se transforme bientôt en amour profond et sincère. Consciente de la différence à la fois d’âge et de fortune qui les sépare, elle ne peut réfréner ses sentiments, et cela même alors qu'elle pense qu’il va en épouser une autre – la belle et fière Miss Ingram. Cependant, il lui apprend un jour que malgré son physique différent, son âge et sa situation, c’est à elle qu’il a toujours donné la préférence et qu’il veut l’épouser. Trop heureuse pour croire à son bonheur, Jane accepte et les noces se préparent. Le jour du mariage, cependant, Jane apprend devant l’autel le terrible secret de Mr. Rochester. Marié dans sa jeunesse sous l’influence de son père et de son frère à une femme qui s’avère folle, il ne peut en épouser une autre. Sa première épouse est, en effet, toujours vivante et vit cachée dans le troisième étage de Thornfield-Hall sous la garde de Grace Poole.
Troisième partie[modifier]
Anéantie, Jane part dans la nuit pour fuir la tentation de devenir la maîtresse de Rochester. Sans argent, elle erre trois jours durant dans une région inconnue avant de trouver refuge, presque mourante, dans la maison de la famille Rivers. Elle y reste un mois et se lie d’amitié avec les deux jeunes Mary et Diana, laissées sans fortune après la mort de leur père. Elle fait aussi la connaissance de leur frère, le pasteur St-John Rivers. À sa demande, il lui trouve un poste d’institutrice dans le village, ce qui lui permet de vivre de façon indépendante. Cependant, après quelques mois, il découvre sa véritable identité (elle se faisait appeler Jane Elliot) et lui apprend que son oncle, qu’elle n’a jamais connu, est mort en lui laissant un riche héritage. Elle apprend en même temps que les Rivers sont en fait ses cousins paternels et que leur oncle (donc le sien) les a déshérités en sa faveur après une dispute avec leur père. Elle n’est que trop heureuse de trouver enfin une famille aimante et décide de partager son héritage avec ses cousins.
Vivant dans la maison familiale avec Mary, Diana et St-John, elle se lie peu à peu avec son cousin qui exerce sur elle une forte influence. Il a la vocation de devenir missionnaire et lui propose de l’accompagner en Inde et de devenir sa femme. Ce n’est pas l’amour qui guide sa demande mais son sens du devoir religieux et l’estime qu’il a pour le courage et l’intelligence de Jane. Bien que n’éprouvant pour St-John que des sentiments fraternels, elle est sur le point d’accepter. Une nuit, elle entend une voix venant de nulle part l'appeler : elle décide soudain de retourner à Thornfield pour s’enquérir de l'état de Mr. Rochester dont elle n’a aucune nouvelle malgré plusieurs lettres qu'elle lui a envoyées.
Elle ne trouve qu'un amas de ruines et apprend que la maison a brûlé dans un incendie peu de temps après son départ. C’est la femme aliénée de Mr. Rochester qui y a mis le feu, comme elle avait déjà tenté de le faire plusieurs fois. Elle est morte en se jetant du toit. Mr. Rochester, en tentant de sauver les autres habitants de la maison, s'est blessé, a perdu la vue et une de ses mains ; il vit maintenant seul dans un manoir reculé. Jane va immédiatement le rejoindre et l’aime toujours autant malgré son aspect physique encore plus inquiétant. Comme plus rien ne s’oppose à leur union, ils se marient enfin.
Grâce à l’argent de l’héritage, Mary et Diana ont à leur tour trouvé un mari. Jane et Mr. Rochester vivent un mariage heureux et ce dernier retrouve même en partie la vue après deux ans de patience.
Personnages principaux[modifier]
Jane Eyre: protagoniste et personnage principal du roman, auquel elle donne son titre. Orpheline dès son plus jeune âge, elle vit une une enfance malheureuse et presque sans amour. A dix-huit ans elle devient gouvernante au château de Thornfield. Tombée amoureuse de son riche propriétaire, Edward Rochester, sa forte conscience morale l'empêche de devenir sa maîtresse et elle ne revient vers lui que lorsque son épouse aliénée meurt et après être entrée en possession d'un héritage.
Mr Reed: oncle maternel de Jane qu'il adopte à la mort de ses parents. Avant de mourir lui-même il fait promettre à sa femme de prendre soin de Jane.
Mrs Sarah Reed: tante par alliance de Jane, qui après l'avoir adoptée, la maltraîte et la néglige. Elle lui conserve son inimitié jusqu'à sa mort.
John Reed: un cousin de Jane qui la bat sans arrêt parfois même en présence de sa mère. Devenu adulte, il se ruine et meurt, pense-t-on en se suicidant.
Eliza Reed: une cousine de Jane. Amère de ne pas être aussi séduisante que sa soeur, elle décide elle-même de se consacrer à la religion. Elle se retire dans un couvent près de Lille après la mort de sa mère.
Georgiana Reed: une autre cousine de Jane, sœur d'Eliza. Hautaine et insolente elle est aussi belle et gâtée. Sa sœur fait échouer son mariage à un Lord fortuné. Au cours du roman, elle se réconcilie avec Jane et finit par épouser un homme riche
Bessie Lee: une nurse de Gateshead au langage rude, qui parfois témoigne de la bonté à Jane en lui racontant des histoires et en lui chantant des chansons. Plus tard, elle épouse Robert Leaven.
Robert Leaven: le cocher de Gateshead, qui apporte à Jane la nouvelle de la mort de John Reed, laquelle à causé une attaque à Mrs Reed.
Mr Lloyd: un apothicaire compatissant qui conseille d'envoyer Jane à l'école. Plus tard, il écrit à Miss Temple pour confirmer les déclarations de cette dernière concernant son enfance, ce qui la disculpe de l'accusation de mensonge proférée par Mrs. Reed.
Mr Brocklehurst: un clergyman directeur et trésorier de l'école de Lowood qui maltraite les élèves. Il est fréquemment comparé à une « colonne noire ». Religieux traditionnaliste, il prône pour ceux dont il a la charge une vie stoïque et ascétique, mais s'en dispense lui-même avec hypocrise, en même temps que sa famille.
Miss Maria Temple: la supérieure bienveillante de l'école de Lowood School, qui traite Jane et Helen (et tous les autres élèves de Lowood) avec respect et compassion. Elle aide Jane à se disculper de la fausse accusation de mensonge de Mr Brocklehurst.
Miss Scatcherd: professeur à Lowood, aigrie et cruelle.
Helen Burns: condisciple et meilleure amie de Jane à l'école de Lowood.Elle refuse de haïr ceux qui la maltraitent, ayant confiance en Dieu et tendant l'autre joue. Elle meurt de la tuberculose dans les bras de Jane. Elizabeth Gaskell, dans sa biographie des soeurs Brontë, écrit qu'Helen Burns est une transcription exacte de Maria Brontë, morte de la typhoïde à onze ans1.
Edward Fairfax Rochester: le propriétaire du manoir de Thornfield. Héros byronien, il a été piégé en faisant un premier mariage malheureux avant de faire la connaissance de Jane dont il tombe follement amoureux.
Bertha Antoinetta Mason: l'épouse folle à lier d'Edward Rochester. Sa vie est aussi racontée dans le roman de Jean Rhys La Prisonnière des Sargasses (Wide Sargasso Sea), dans lequel il est dit que son prénom original était Antoinette.
Adèle Varens: une petite fille française dont Jane devient la gouvernante à Thornfield. Elle est la pupille de Mr. Rochester depuis la mort de sa mère, une ancienne maîtresse de Rochester
Mrs Alice Fairfax: une veuve d'un certain âge, concierge du manoir de Thornfield, qui témoigne du respect à Jane.
Leah: une femme de chambre, jeune, jolie et aimable à Thornfield, qui montre parfois une certaine agitation.
Blanche Ingram: une mondaine que Mr. Rochester fait semblant de courtiser pour rendre Jane jalouse. Elle est décrite comme étant d'une grande beauté mais fait preuve d'un comportement dur et d'une avarice sordide.
Richard Mason: un Anglais des Antilles, dont la sœur devient la femme de Rochester. Son apparition au château de Thornfield annonce la révélation finale de Bertha Mason. C'est un personnage sans consistance et peu apprécié de Mr. Rochester.
Grace Poole: une servante ayant la garde de Bertha Mason. On fait croire à Jane que c'est elle qui est responsable des évènements mystérieux qui surviennent au château de Thornfield Hall. Elle a un faible pour la boisson, dont Bertha profite pour s'échapper en plusieurs occasions
St. John Eyre Rivers: un clergyman qui devient l'ami de Jane avant d'apprendre qu'il est son cousin du côté paternel. C'est un calviniste dévôt de nature très réservée et de caractère entier. Il propose à Jane de l'épouser.
Diana and Mary Rivers : les deux sœurs de St. John Rivers qui s'avèrent être les cousines de Jane.
Rosamond Oliver: une belle et riche jeune femme qui parraine l'école de campagne où Jane est institutrice. Elle est attirée par le révérend St. John, et réciproquement.
Alice Wood: servante de Jane lorsque celle-ci est l'institutrice de l'école pour filles de Morton.
John Eyre: oncle paternel de Jane à laquelle il lègue son immense fortune. Il n'apparaît cependant jamais dans le roman.
Mr. Oliver: père de Rosamond Oliver.
Influences[modifier]



Le pub Salutation à Hulme, près de Manchester où Charlotte Brontë a commencé la rédaction de Jane Eyre, alors que le pub était une auberge, et qu'elle accompagnait son père à Manchester où il devait subir une opération de la cataracte, dans les années 18402,3
Les premières scènes, dans lesquelles Jane est envoyée au pensionnat rigoureux et insalubre de Lowood, sont issues de la propre expérience de l'auteur. La mort d'Helen Burns de tuberculose (désignée sous son ancien nom de consomption) rappelle celle des soeurs de Charlotte Brontë, Elizabeth et Maria, mortes de la même maladie dans l'enfance suite aux mauvaises conditions qui régnaient à la Clergy Daughters School (école des Filles du Clergé) à Cowan Bridge, près de Tunstall, dans le Lancashire. M. Brockelhurst est inspiré du révérend William Carus Wilson (1791-1859), le pasteur évangélique qui dirigeait l'école, et Helen Burns a probablement pour modèle Maria, la sœur de Charlotte. De plus, le déclin de John Reed dans l'alcoolisme et sa vie dissolue rappellent la fin de Branwell, le frère de Charlotte, qui était devenu opiomane et alcoolique quelques années avant son décès. Enfin, comme Jane, Charlotte a été gouvernante. Ces faits ont été publiés dans La Vie de Charlotte Brontë (1857) par l'amie et collègue romancière de Charlotte Elizabeth Gaskell4.
Le manoir « gothique » de Thornfield a été probablement inspiré par celui de North Lees Hall, près de Hathersage dans le Peak District où Charlotte Brontë et son amie Ellen Nussey se sont rendues durant l'été de 1845. Il est décrit par cette dernière dans une lettre datée du 22 juillet 1845. Ce manoir était la résidence de la famille Eyre et sa première propriétaire, Agnes Ashurst, est connue pour avoir été enfermée comme folle dans une chambre fermée à clef du deuxième étage4. On suppose que c'est le manoir de Wycoller Hall dans le Lancashire qui a inspiré le décor de Ferndean Manor, où Mr Rochester se retire après l'incendie de Thornfield Hall. De même, on a pu établir un parallèle entre le propriétaire de Ferndean, le père de Mr Rochester, et Henry Cunliffe qui hérita de Wycoller dans les années 1770 et y vécut jusqu'à sa mort, en 1818. On peut relever qu'une parente d'Henry Cunliffe se nommait Elizabeth Eyre (née Cunliffe). Haworth n'étant pas très éloigné de Wycoller où Elizabeth Eyre séjournait occasionnellement, il est vraisemblable que cette dernière ait pu rencontrer les Brontë. Wycoller Hall a même été utilisé comme illustration de couverture d'une édition de 1898 de Jane Eyre.
Œuvres dérivées[modifier]

Adaptations cinématographiques[modifier]
Jane Eyre réalisé par Travers Vale en 1915
Jane Eyre réalisé par Hugo Ballin en 1921
Jane Eyre réalisé par Christy Cabanne en 1934. Le film est produit par la firme hollywoodienne Monogram Pictures, compagnie spécialisée dans le western. Il dure à peine plus d’une heure et propose une version très comprimée de l’histoire
Vaudou (I Walked with a Zombie) réalisé par Jacques Tourneur en 1943, libre adaptation. Ce drame fantastique se déroulant dans les Antilles emprunte un certain nombre d’éléments narratifs au livre de Charlotte Brontë
Jane Eyre réalisé par Robert Stevenson en 1944. Cette version est célèbre en partie à cause de son casting. Outre Orson Welles en Rochester et Joan Fontaine en Jane Eyre, on y retrouve une toute jeune Elizabeth Taylor qui y interprète le rôle de Helen Burns
Jane Eyre réalisé par Marc Daniels en 1961
Jane Eyre réalisé par Rex Tucker en 1963
Jane Eyre, film grec réalisé par Andreas Katsimitsoulias en 1968
Jane Eyre mis en scène à la télévision par Delbert Mann en 1970. Le rôle titre est tenu par Susannah York et Rochester est interprété par George C. Scott. La trame musicale est de John Williams. Essentiellement tourné en décors naturels, le film est produit pour la télévision mais connait une distribution en salles
Jane Eyre réalisé par Franco Zeffirelli en 1996. Outre le fait que Charlotte Gainsbourg y joue le rôle de Jane et William Hurt celui de Rochester, on y retrouve la toute jeune Anna Paquin, future héroïne de la série de films X-Men et de la série True Blood, qui interprète là le rôle de Jane enfant.
Jane Eyre réalisé par Robert Young en 1997
Jane Eyre réalisé par Cary Fukunaga en 2011
Télévision[modifier]
Jane Eyre, mini-série réalisée par Julian Amyes en 1983, avec Timothy Dalton et Zelah Clark
Jane Eyre, mini-série produite par Diederick Santer en 2006 avec Toby Stephens et Ruth Wilson
Littérature[modifier]
L'affaire Jane Eyre, roman de Jasper Fforde
La Prisonnière des Sargasses, roman de Jean Rhys
Musique[modifier]
Jane Eyre, symphonie n° 7 de Michel Bosc
Au milieu des années 1990, Jane Eyre a été adapté en comédie musicale par Paul Gordon (texte et musique) et John Caird (livret). Présentée pour la première fois en 1995 à Wichita, l'œuvre a été notamment été reprise à Toronto et à New-York
Jane Eyre a également fait l'objet d'un opéra en deux actes (musique Michael Berkeley, libretto David Malouf) dont la première a eu lieu en 2000 à Cheltenham, Angleterre
Livre audio[modifier]
Jane Eyre par Fanny Ardant, éditions des femmes, 2004.
Voir aussi[modifier]

Articles connexes[modifier]
Charlotte Brontë
Famille Brontë
Liens externes[modifier]
Sur les autres projets Wikimedia :
Jane Eyre, sur Wikisource

Cet article ou cette section a trop de liens externes.
Les liens externes doivent être des sites de référence dans le domaine du sujet. Il est souhaitable — si cela présente un intérêt — de citer ces liens comme source et de les enlever du corps de l'article ou de la section « Liens externes ».
(en) Jane Eyre (HTML)
(fr) Le livre sur Ebooks libres et gratuits
(en) Bronte Sisters Links
(en) Jane Eyre - Audiolivre MP3 Creative Commons
(fr) Jane Eyre, version audio

Notes et références[modifier]

↑ (en) Elizabeth Gaskell, The Life of Charlotte Brontë, vol. 1, Smith, Elder & Co., 1857 [lire en ligne [archive]], p. 73
↑ (en) Jane Eyre: a Mancunian? [archive], BBC (10 October 2006).
↑ Salutation pub in Hulme thrown a lifeline as historic building is bought by MMU [archive] (2 September 2011). Consulté le 2011-09-06.
↑ a et b (en) Stevie Davies, Introduction and Notes to Jane Eyre. Penguin Classics ed., 2006.
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La famille Brontë
Famille Patrick Brontë • Maria Brontë (née Branwell) • Elizabeth Branwell • Maria Brontë • Elizabeth Brontë • Charlotte Brontë • Emily Brontë • Anne Brontë • Branwell Brontë
Œuvres de Charlotte Brontë Jane Eyre • Shirley • Villette • Le Professeur
Œuvres de Emily Brontë Les Hauts de Hurlevent
Œuvres de Anne Brontë Agnes Grey • La Recluse de Wildfell Hall
Juvenilia Glass Town • Gondal (royaume imaginaire)
Divers Haworth (Yorkshire) • Brontë Parsonage Museum
Portail de la littérature
Catégories : Roman de Charlotte BrontëFamille BrontëRoman paru en 1847Premier romanRoman de formatio